TMO: Andrew Lawless

Andrew Lawless is the founding editor of Three Monkeys Online. Originally from Dublin, but now based in Bologna, Italy, Andrew is a regular contributor to the magazine with a particular interest in literature, politics and music. He also runs Bodu Web Design, a web development company.

TMO Articles by Andrew Lawless

Roberto Saviano and the new Italian epic

Regular readers of Three Monkeys will know that we have a soft-spot for the Italian literary collective Wu Ming, the people behind novels like Q and 54 (which is very much on our ‘to-review’ list). Wu Ming I (there are five of them) has just published a thoughtful piece where he attempts to define what […]

Writers and the Credit Crunch – Margaret Atwood and Tim Parks

I very rarely have the cause or inclination to browse to the Financial Times, but was glad to have done so today. The immediate reasoning was to check for news on the troubled bank of which I am, unfortunately, an account holder. No particular joy there, but instead I stumbled upon an extract from Margaret […]

The Publishing Manifesto and Raymond Carver

Sarah Loud,head of digital publishing at Pan Macmillan, has published a much talked about Publisher’s manifesto for the 21st Century over at The Digatilist. It’s a long piece, and well worth reading. It starts with a fairly common position, that in this social-media/internet/mobile entertainment world the days of the book are numbered.   “More and […]

Orhan Pamuk and the Museum of Innocence

Orhan Pamuk is interviewed in the latest edition of Venerdi di Repubblica magazine, here in Italy, and discusses the lengthy writing process he undertook for his new novel The Museum of Innocence, which will be published later this year (the Turkish version coming first, will be unveiled at this year’s Frankfurt book fair, where Turkey […]

Hope and Other Dangerous Pursuits – Laila Lalami interview

Hopes and dreams are the stuff of calculations, and conditional clauses; if I do x, then hopefully y will come my way. For the characters in Laila Lalami’s elegant novel Hope and other dangerous pursuits hopes and dreams have another more fundamental element – geography. All the calculations and aspirations of the characters rest on […]

Men and Cartoons by Jonathan Lethem

Never judge a book by its cover. Sage advice, but what about its title? I approached Jonathan Lethem’s slim short-story collection Men and Cartoons less than enthusiastically, resigned to reading it because it was a) a gift, and b) short. The problem? The title, plus the promise that more than one story would concern itself with superherose, […]

Netherland by Joseph O’Neill

I can sympathise, to an extent, with  DoveGreyReader who approached Joseph O’Neill’s Netherland with trepidation given the tag ‘post 9-11 masterpiece’ (the Observer) that has been widely used by  enthusiastic reviewers. It’s a problematic tag for any novel, but particularly so in this case given that the novel scarcely concerns itself with the attacks or their aftermath.  That’s […]

Literature’s Radiohead – Wu Ming or Gaiman?

Back in December, mediabistro’s GalleyCat posed the question ‘Where will we find Literature’s Radiohead?‘. Not a question of matching literary style up to the Oxford band’s musical approach (although over at the Valve they see a similarity between Yeats and the band), but rather the starting point for a discussion on distribution methods – on […]

Film that! Londonstani by Guatam Malkani

Mr Monkey’s recent post on possible book-film tie-ins made me dig out Guatam Malkani’s novel Londonstani. I approached the novel with a certain amount of scepticism, not particularly grabbed by the plot line of a young geek from Hounslow who seeks to develop his identity through designer clothes, body building, and hanging out with the […]

A questionable voice – The Reluctant Fundamentalist by Mohsin Hamid

Having just finished Mohsin Hamid’s The Reluctant Fundamentalist, it was a pleasure to stumble upon an interview with the author (on his site, via where he discussed the process that led him to choose the narrative voice of the novel. I had tried variations of minimalism in the third person, with voices ranging fable […]