TMO Tags: narrative voices

The Slap – Christos Tsiolkas

Saturday, September 25th, 2010

Reading through numerous reviews of Christos Tsiolkas’s novel The Slap helped me clarify why it’s such a particularly strong novel; not because they’re uniformly positive, but because almost all that I’ve read take a strong line on the book – I’ve yet to come across a review that didn’t engage wholeheartedly with the novel, which [...]

Doubt in the Novel – Brian Moore’s Cold Heaven

Monday, March 29th, 2010

In a TMO interview with Australian novelist Tim Winton, the question of faith and doubt came up, and more specifically the suitability of different literary formats to deal with them. “TMO:How much room  in a novel is there for the unexplained, and the unexplainable? Tim Winton: I think there’s plenty of room. For hinting at [...]

The Selected Works of T.S.Spivet: A Novel/ Reif Larsen

Tuesday, March 9th, 2010

Imagine a 12 year old genius living on a ranch in Montana. He is a scientist and makes maps of everything from entymology to how to shake hands with God. As you might expect, he is, therefore, predictably weird and socially dysfunctional. Keeping his maps in rigorously colour-coded notebooks, Tecumseh Sparrow (yes this kid is [...]

Should the laws of physics apply? Helen Oyeyemi’s White is for Witching

Sunday, August 9th, 2009

Should the laws of physics apply to a novel? There are readers who,  not without reason, demand that yes, the laws of gravity, and thermodynamics must apply at all times if the work is to be taken seriously. For example, if a character is to cross a room, they should do so – with or [...]

The Lazarus Project – Aleksandar Hemon

Saturday, April 25th, 2009

Novelist and  short-story writer Michel Faber, in his three monkeys interview, commented “I think it’s juvenile and arrogant when literary writers compulsively remind their readers that the characters aren’t real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.” This is [...]

A couple of minutes with Murakami’s The Wind-Up Bird Chronicle

Tuesday, November 4th, 2008

At the start of Haruki Murakami’s The Wind Up Bird Chronicle, the narrator is rung-up by a mysterious female voice who demands, like a survey-taker, ten minutes of his time: “Ten minutes, please,” said a woman on the other end. I’m good at recognizing people’s voices, but this was not one I knew. “Excuse me? [...]

Netherland by Joseph O’Neill

Sunday, August 24th, 2008

I can sympathise, to an extent, with  DoveGreyReader who approached Joseph O’Neill’s Netherland with trepidation given the tag ‘post 9-11 masterpiece’ (the Observer) that has been widely used by  enthusiastic reviewers. It’s a problematic tag for any novel, but particularly so in this case given that the novel scarcely concerns itself with the attacks or their aftermath.  That’s [...]

A book made for film – The End of Mr Y

Wednesday, August 6th, 2008

IFC.com publishes a list of titles of recent books that, according to list compiler Maud Newton, would make great movies. Amongst the interesting choices* is The End of Mr Y by Scarlett Thomas – a book which I feel inclined to agree would make a good film, but not, perhaps,  for the same reasons. Newton correctly laments what [...]

A questionable voice – The Reluctant Fundamentalist by Mohsin Hamid

Saturday, August 2nd, 2008

Having just finished Mohsin Hamid’s The Reluctant Fundamentalist, it was a pleasure to stumble upon an interview with the author (on his site, via Powells.com) where he discussed the process that led him to choose the narrative voice of the novel. I had tried variations of minimalism in the third person, with voices ranging fable [...]

The drama of it all – I am Kloot in interview

Sunday, May 1st, 2005

The word that keeps coming up, in conversation with Johnny Bramwell, lead singer and songwriter with Mancunians I am Kloot, is drama. Whether it be references to Harold Pinter, or the description of their latest album as “like Richard III as a character”, it’s clear that he, and indeed the band, have specific goals in [...]