Orhan Pamuk is interviewed in the latest edition of Venerdi di Repubblica magazine, here in Italy, and discusses the lengthy writing process he undertook for his new novel The Museum of Innocence, which will be published later this year (the Turkish version coming first, will be unveiled at this year’s Frankfurt book fair, where Turkey […]
I can sympathise, to an extent, with DoveGreyReader who approached Joseph O’Neill’s Netherland with trepidation given the tag ‘post 9-11 masterpiece’ (the Observer) that has been widely used by enthusiastic reviewers. It’s a problematic tag for any novel, but particularly so in this case given that the novel scarcely concerns itself with the attacks or their aftermath. That’s […]
Back in December, mediabistro’s GalleyCat posed the question ‘Where will we find Literature’s Radiohead?‘. Not a question of matching literary style up to the Oxford band’s musical approach (although over at the Valve they see a similarity between Yeats and the band), but rather the starting point for a discussion on distribution methods – on […]
Mr Monkey’s recent post on possible book-film tie-ins made me dig out Guatam Malkani’s novel Londonstani. I approached the novel with a certain amount of scepticism, not particularly grabbed by the plot line of a young geek from Hounslow who seeks to develop his identity through designer clothes, body building, and hanging out with the […]
It’s the elephant in the corner really, isn’t it? Last week’s announcement of the Booker prize longlist has been one of the main talking points for literary minded souls, and not just in the Commonwealth and Ireland. Delays in the launch of this blog meant that it was hardly worthwhile posting on the longlist – […]
IFC.com publishes a list of titles of recent books that, according to list compiler Maud Newton, would make great movies. Amongst the interesting choices* is The End of Mr Y by Scarlett Thomas – a book which I feel inclined to agree would make a good film, but not, perhaps, for the same reasons. Newton correctly laments what […]
Having just finished Mohsin Hamid’s The Reluctant Fundamentalist, it was a pleasure to stumble upon an interview with the author (on his site, via Powells.com) where he discussed the process that led him to choose the narrative voice of the novel. I had tried variations of minimalism in the third person, with voices ranging fable […]
I have only myself to blame. After I read the e-mail rant heard around the world, my curiosity got the better of me when I spotted a copy of Giles Coren’s first novel, Winkler, on the shelves of my local library. When I say “novel”, I should point out that Coren’s book is not really […]
With a sparkling lack of imagination, perhaps, I find the best way to approach this intriguing novel by the late Benjamin Tammuz – former literary editor of Israeli newspaper Haaretz – is through his co-national Amos Oz. But, read the following passage about opening gambits between author and reader, from Oz’s collection of essays on […]
